Bill Murray on Gilda Radner:
“Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.
So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”
We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know.
And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.
It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”- from Live from New York: an Uncensored History of Saturday Night Live
Behind Electro-Art Rock: Interview w/ Michael Friedrich of Rarechild
The music scene is changing. Like it always does. Over the last few months I’ve been thinking more…
Steve Nolan and Eddie Costas at Nerd Rage Film created and produced this video for “Hybrid”, by Rarechild. It features gender trouble and a cyborg baby.
Costume and makeup by Destiny Montague.
“Hybrid,” by Rarechild, is a new two-song single recorded in December 2012. It concerns the future of flesh.
Listen to the song from Soundcloud.
It is accompanied by the image “Rendered Aura,” by Travess Smalley.
Home is not for me and you. “Nomad,” by Rarechild, was recorded in October. It features myriad Michaels.
Download the song from Soundcloud.
It is accompanied by the image “Rendered Aura,” by Travess Smalley.
In 2012, Rarechild will release a song each month through Dimension Arts.
The new Rarechild song “Nomad” is coming out soon. For now look at Michael Aaron, in his many incarnations, singing the song a cappella. Really. Look at him.
Sometimes a house is not a home. “In Our House,” by Rarechild, was recorded in September. It features Destiny Montague of Carl Sagan.
Download the song from Soundcloud.
It is accompanied by the image “Rendered Aura,” by Travess Smalley.
In 2012, Rarechild will release a song each month through Dimension Arts.
“In Our House (Interlude)” was recorded by Rarechild in August. Michael made a sample of his voice. CBX used it to compose this dreamy instrumental piece, a prelude to a severance.
Download the song from Soundcloud.
It is accompanied by the image “Rendered Aura,” by Travess Smalley.
In 2012, Rarechild will release a song each month through Dimension Arts.


